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Transcending Autonomism

Motivated by the belief that capital today valorises through the commodification of immaterial labour, autonomists practice a seemingly complete withdrawal from the system. But how sound is this strategy?


14/09/2024

Over the past year, a lot of critique has been levelled at the many strands of German leftism, from the openly Zionist antideutsche, to the social chauvinist Sahra Wagenknecht’s political debut. In this article, I continue with this proud tradition of leftist infighting, and critique both the theoretical and practical positions of the autonomist movement.

It is rather difficult to be involved in leftist politics in Europe and not have engaged in some capacity with autonomist-adjacent groups. Traces of autonomist ideology are found in countless left spaces across the continent. From squats to anarchist cafés, from soli-festivals to foodsharing, autonomists seek to exit the sphere of capitalist relations in whichever way they can. They have a history of spontaneous demonstration, most notably and consistently against the commodification of housing, but also against globalist organisations, like the G8. And as with most subcultures, they have their quirks: a tedious obsession with aesthetics that has spurred accusations of being a middle-class movement; a high burnout rate with activists who rapidly discover the limits of their ability to participate in the autonomist lifestyle; and in Germany, to nobody’s surprise, endless internal quibbles over Palestine. But quirks aside, surely seeking a withdrawal from capital, and resisting its slow march through institutions is a good thing, right?

I argue that autonomism has failed to grapple with the reality of being a predominantly European movement, and that their political direction is determined by a poor understanding of material conditions. To evaluate these shortcomings, we must regrettably fall back to theory, something that autonomist subcultures eschew in favour of spontaneous action. But autonomism did not begin as a subculture; rather, it began as a theoretical movement, albeit one grounded in very practical events.

Autonomism’s emergence was something of a swan song of modernity. Born in the factories of Northern Italy in the 1960s, it was situated amidst massive internal movements of workers from the underdeveloped and semi-feudal south of the country, to the rapidly industrialising north. These migrant workers, subject to brutally exploitative labour regimes, often rejected structured wage negotiations through labour unions, instead partaking in wildcat strikes and sabotage. Theorists of the period, such as Mario Tronti and Antonio Negri, began to frame this as a theory of the worker’s subjectivity, sparking a theoretical movement that came to be known as operaismo (“workerism”). The operaists, writing in journals like Quaderni Rossi and Classe Operaia, inverted the Marxian relationship between capital and labour. Instead of framing capital as tending towards crisis under its own imperatives, the operaists highlighted how capital always seemed one step behind labour. In their narrative, rather than being the protagonist, capital had a reactive tendency: it was forced to respond to the specific forms of organisation of labour, such as the factory, and to the subjectivities that emerged through this organisation. And these subjectivities would always grow to threaten capital: forcing, in their own epochs, a collapse in the rate of profit. Capital would thus be periodically forced to deconstruct existing labour processes to kill this organisational capacity, and then restructure them, to renew the cycle of accumulation.

The wide range of sabotage actions undertaken by factory workers came to a head in the so-called autunno caldo (“Hot Autumn”) of 1969, which culminated in the acceptance of some of the workers’ demands, and a consequent weakening of the workers’ movement. The decade after saw a restructuring of labour, and the centre of analysis gradually drifted away from the factory, shifting instead to the productivity present within other spheres of life. Feminist thinkers like Mariarosa Dalla Costa and Silvia Federici provided the theoretical foundation for the Wages for Housework campaign, highlighting the role gendered labour played in (re)producing the most valuable commodity: the worker’s labour power. The student movement organised against the commodification of the university and the rising cost of housing. These currents, as well as the growing proliferation of white-collar labour amidst the reconstituted working class, framed the transition from operaism to post-operaismo. Theorists of this period included Toni Negri (whose academic career was briefly interrupted by his arrest for the murder of… the Prime Minister of Italy); but also Maurizio Lazzarato, Paolo Virno, and, moving away from Italy slightly, Michael Hardt. Post-operaismo concerned itself mostly with labour in a post-Fordist society, i.e. with immaterial labour. The mass worker, in post-operaist narratives, was transformed into the social worker, as capital began to expand to subsume all of life itself. Socially produced value was captured by capitalists, who, rather than investing in the factories of a bygone era, instead sought to commodify the conditions for sustaining life itself.

In a practical sense, the autonomist subject is thus the immaterial worker, in their role as a concrete, direct opposition to capital. This labour can be pulled outside the sphere of capitalist relations: third spaces like cafés can collectively be established, squats can provide housing, open-source software can be collaboratively designed. For the autonomists, the material conditions for communism already exist, and all that is needed is to pull productive labour out of the control of capital, that has long outlived its purpose. The labour theory of value no longer holds true: value is being produced and co-opted everywhere, round the clock. The wage form is thus obsolete, and capitalism is already dead: we simply need to rid ourselves of the turbulent capitalists.

A key assumption undergirding these ideas is that the forces of production have developed, through labour’s intransigence, to the point that expansions of fixed capital are no longer particularly necessary to sustain life. Cooperative labour can (and does) produce most of the commodities consumed in contemporary society. There is some truth to the fact that capital has increasingly refrained from transforming or expanding production (see Brenner’s long downturn), instead resorting to the accelerated commodification of assets. Automation theorists have engaged with this, and tend to view this refusal to expand production as a reactionary force that must be counteracted through democratic control over capital; this is particularly salient in light of the colossal transformations in production and housing that the climate crisis would require. Autonomists, on the other hand, claim that this intransigence on part of capital is because large-scale investment of capital is increasingly unnecessary. The dirty material world belonged to a historical phase of capitalism, one that we have transcended. And this is where our troubles begin.

The widening of the traditional Marxian notions of productivity beyond the muscular Soviet male factory worker are much welcome, and thankfully fairly uncontroversial today. Yet the extension of this immaterial lens to all of society, optimistic though it might seem, tends to display a certain agnosticism to actually existing labour processes, particularly to those that tend to be invisibilised in the global North. Now, contemporary capitalist crisis has indeed sparked a much wider debate surrounding the processes of accumulation that are hegemonic today, and nobody can deny that capital does seem to flood precisely those parts of the world where immaterial labour dominates. Does that not imply that we have indeed transcended factory labour, if capital no longer cares to touch it?

What is missing from this equation is an analysis of the fact that while a hairdresser or a barista is able to pull themself out of the circuits of capital and reproduce themselves in France or Germany, this is clearly out of reach for their counterparts in Brazil or Indonesia. The autonomist choice to disengage from wage labour is one that can only be made in Europe without subjecting the worker to absolute impoverishment in the process. And this is not because the wage has already been rendered obsolete, but rather the inverse—it is precisely because the global North is both governed by the wage form, and capable of commanding the highest wages in the world. There is still a broad range of physical commodities that autonomists regularly need to acquire: second-hand sound systems, used mobile phones, cigarettes, coffee and cocaine; even electricity, clean water, and access to healthcare. They may attempt to acquire these extra-capitalistically, through soli-fundraisers or community care, yet these attempts all hinge on the fact that the overdeveloped world, through its extraordinarily high wages, consists of a considerable surplus of commodities. The autonomist lifestyle still requires other Europeans to continue to participate in the market. But if the autonomists are correct, and capital today relies solely on commodifying the social, what explains this global wage discrepancy?

There are many reasons why even the cheapest solidarity coffee costs upwards of €2 in Germany, compared to a measly 10 cents at a (decidedly unsolidarisch) Indian tea house. To analyse this requires an explication of the differences between the various forms of immaterial labour, of which social reproductive labour is just one subset. And a large proportion of global North workers is engaged in other forms of immaterial labour: working in tech, or marketing, or worse, in the dread worlds of finance and consulting. These labour processes can position themselves on top of value chains, explicitly diverting surplus value towards themselves to generate hyperprofits through their use of political power. Google and Meta can thus utilise vast data holdings to target consumers and sell endless iterations of products manufactured in China, built on the tantalum extracted from the Congo Basin. Bayer and Novo Nordisk can generate broad swathes of pharmaceutical intellectual property, making billions of dollars off people’s demand for an insulin that we already know how to produce. H&M and Zara can insert themselves into the mill labour process in Bangladesh, producing affect through branding, while invisibilising their liability through chains of subcontractors, all the while raking in vast profits beyond the wildest dreams of mill worker and owner alike.

These advantages trickle down to other workers (whether inside or outside capital) in the global North, both through enabling the high purchasing power of a society engaged in the profit-attracting labour processes, and through the existence of well-funded welfare states, who derive their spending power from taxing domestic capitalists. And in this sense, autonomist logic inverts not only Marx, but also Rosa Luxemburg. Capital may need an outside to sustain itself; but even more pressingly, so does the autonomist “outside” require capital for its continued reproduction.

Autonomist theorists have taken critiques of their positioning to heart. Already, the turn of the millennium saw renewed enthusiasm in analyses of immateriality, with the release of Empire, co-authored by Michael Hardt, and a still-productive Negri (now having returned from French amnesty to serve out his prison sentence in Italy). The book begins with a call for nuance, calling earlier framings “too pure”, “almost angelic”. They join dependency theorists in critiquing developmental analyses of the position of the global South, describing very clearly the presence of a global hierarchy of nation-states. And while they are somewhat light on the details of how immateriality reinforces this hierarchy, they succeeded in opening ground for fertile debate: sparking three sequels and considerable discourse, allowing theorists like Nick Dyer-Witheford and Rodrigo Nunes to explicitly highlight precisely the mechanisms through which this hierarchy is maintained.

But praxis lags theory, particularly in circles that weaponise accusations of being “all theory no praxis” to partake in self-indulgence-as-praxis. Obstinately viewing their forms of immaterial labour as not only merely hegemonic but somehow all-encompassing, autonomists can whole-heartedly simulate a faux-exit from capitalist relations, blissfully ignorant to their reliance on these relations in the first place. Viewing pesky details like the existence of fixed capital as no longer relevant, they can avoid having to engage with other pesky details like the allocation of said capital. And in Germany, as the optimistic counterpart to the pessimism of Frankfurt school, autonomists can dismiss any notion of social class(es) as proto-Nazism, thereby cementing a tenuous partnership with the antideutsche.

This critique should not be read as advocating defeatism. Ultimately, the goals that autonomists fight for are noble: combating the expansion of commodification, attempting to maintain and resurrect the ability to reproduce society without every aspect of life turning into an asset to be sold to private equity firms. But without a broader understanding of their own positioning in global capitalism, there is always the risk that many autonomist demands—such as the compensation of “immensurable” social labour with some sort of universal basic income—could easily result in a restoration of the offloading of capitalism’s brutality to the periphery, combined with increasingly restrictive migration to keep these crises distant from the core.

This critique is therefore a call to expend energy in better ways than merely withdrawing from capitalism when it violates an aesthetic code. It is a call for a deeper engagement with capitalism beyond the narrow space of the battles that surround how a society deeply disconnected from material realities should be reproduced. It is a call for an acknowledgement of the fact that organising a decommodified rave in a German forest is not resistance; it is in fact utterly uninteresting to capitalists, who have bigger fish to fry. The fight against capitalist domination must centre genuine solidarity, and strike where exploitation and expropriation are at their most brutal, rather than partake in a self-congratulatory withdrawal of the navel-gazing beneficiaries of this domination.

Today, this engagement must begin with the complicity of European capital in the genocide in Gaza. And if inspiration for praxis is lacking, perhaps they could look to their own intellectual predecessors: to the Italian workers that prided themselves on their ability to bring capital to a grinding halt through good, old-fashioned sabotage.

Talking about the British election, Palestine solidarity, and disco music

Report from a German delegation at the Marxism 2024 Conference in London


13/09/2024

In July 2024, 3,500 people took part in the Marxism Conference in London. Among them were a group of over 50 people from Germany, mainly in and around the German organisation Sozialismus von Unten (SVU) and/or theleftberlin.

The conference started on 4th July, the day of the British election, where the ruling Conservatives suffered a crushing defeat. The main victors were Keir Starmer’s Labour Party (although Labour received fewer votes than in the previous 2 elections when the party was led by Jeremy Corbyn). An unprecdented 5 independent pro-Gaza MPs were elected, including Corbyn, who had been banned from standing for Labour.

The other main victor at the election was Nigel Farage’s right wing Reform party. Because of the peculiarities of British election logic, Reform did not win many seats, but they are poised to pounce if and when Keir Starmer’s Labour break their minimal election promises. The rise of the international far right was one of the two topics which dominated many of the discussions at the Conference. The German delegation was able to report from the recent attempt to close down the AfD Conference in Essen.

The other topic was Palestine solidarity. On the Saturday afternoon, Conference took a pause so that we could all attend the 100,000 strong Palestine demo. Many of the delegates from Germany were surprized, not just by the size of the thing, but also by the relative lack of police presence. Marching through London gave us a sense of our power.

When we returned from the demo, the next session was supposed to feature Corbyn talking about radical poetry. He was severely delayed, as he’d also been demonstrating and had stopped to chat with the many journalists wanting to talk to him. Once he arrived, he read the room, threw away his poetry speech for another time, and talked about his extraordinary electoral success and the challenges facing the British and international Left.

The room was full, and many people were stuck outside, so Corbyn went into the hallway and repeated his speech. Whatever criticisms one might have about some of his strategical decisions, Corbyn and the other independents are acting as a lightning rod to channel the opposition to a Starmer government which has already finished its honeymoon period.

theleftberlin was also able to organise a stall selling t-shirts and tote bags, making a total of €1000. Half of the profits will go to people in Gaza, the other half to supporting our activities in Berlin (including this website). We were also able to chat and make links with other international activists who visited our stall.

As well as the several discussions on Palestine, the far right, and the elections, there were meetings on everything from a new graphic novel about Toussaint L’Ouverture and the Haitian slave revolt to the politics of disco. After the conference, I asked some of the people there about their experiences. You can see some of their answers below.

 

Digital Romanticism in The Elder Scrolls

History, Landscape and Identities


11/09/2024

Fantasy settings can make the exploration of topics such as power, identity, society, class struggle and social division more accessible. By analysing how The Elder Scrolls tackles issues related to fascism and authoritarianism, players can get a better understanding of how these ideas manifest in society and how they might be resisted.

The Elder Scrolls is a series of video games developed by the American company Bethesda and set on the fictional continent of Tamriel. Each video game has its own narrative, both in chronological and geographical terms. Through the exploration of the different territories generated by its open world maps, we see how the digital landscape becomes an active agent in the creation of identities and characters that inhabit it.

The saga stands out for enabling a historical analysis linked to romantic landscape narratives of the 19th century, which are reinterpreted in the digital dimension through the generation of environments as literary tools. In this article I aim to analyse the aesthetics manifest in the representation of races/ethnicities in The Elder Scrolls in relation to landscape and architecture. These generate a historical dialogue between past and present, and emphasize the use of romantic visual references as a source of inspiration by the creators of the saga. 

The rise of nationalist movements and authoritarian governments globally has been marked by similar narratives to those found in the game, where the state’s power is centralized, often at the expense of freedom of speech and human rights violations. The game’s exploration of these themes can be used to discuss how authoritarian ideologies gain traction and the consequences of unchecked nationalism. When we analyse how the game portrays the use of myths and historical narratives, it will prove useful in understanding how fascist movements utilize similar strategies such as the romanticization of a “pure” national history to shape public opinion through media consumption. 

Geography and races

To introduce the setting, it is pertinent to present the map and the races that inhabit the continent of Tamriel, in which each territory hosts different towns and cities. The main areas are: Skyrim, Morrowind, Black Marsh, Cyrodiil, Elsweyr, Hammerfell, High Rock, Morrowind, Summerset Isles and Valenwood. The races that are distributed in three political alliances are: the Aldmeri Domain made up of the Altmers (high-elves), the Bosmers (elves that work wood), and the Khajiits (anthropomorphic felines); the Daggerfall Covenant made up of the Bretons (Manmeri, Hominids), the Redguards (Yokudans, Hominids), the Orsimer (orcs), and the Ebonheart Pact made up of the Dunmer (dark elves), the Nords (Atmorans, Hominids) and the Argonians (anthropomorphic reptiles).

Each of these groups is depicted with distinct idiosyncrasies, determined by a conception of historical reality where the dichotomy between East and West is perceptible; The Bretons and Redguards are two of the three human groups in the game represented by opposite features. In the case of the Bretons, the story places them as direct descendants of the Altmers (the dominant race and culture in the whole Elder Scrolls Saga), but the Redguards are relegated as remnants of a fleet of warriors from a remote island called Yokuda. Although both groups belong to the same humanoid category, the narrative clearly emphasizes a separation in their origins.

Alterity and environment

It is important to emphasize the portrayal of the feline Khajiit in relation to their environments and attributes, as they are a race of anthropo-zoomorphic beings characterized by an imagined sense of otherness. They are depicted as nomads, traders of fabrics and everyday goods, and traffickers of a drug called “Skooma,” which alludes to opium. The name of their homeland, Elsweyr, is a deliberate play on the term “elsewhere,” reinforcing their association with a distant, marginal space.

Another example of ideological representation in The Elder Scrolls series is the characterization of the Redguards, a human community of Black warriors depicted with a monolithic and temperamental personality. Their environments are portrayed through the imagery of arid, desolate deserts, with sparse vegetation and minimal urban development. This setting reflects the narrative of “imaginary knowledge” that Edward Said describes in Orientalism, where European geographical and historical understandings of the boundaries between East and West are shaped by a discourse of power. Said explains that this dichotomy stems from a portrayal of Europe as “powerful and capable of expression,” contrasted with an Asia depicted as “defeated and distant,” thereby framing Eastern regions as “silent and dangerous” territories.

In the game, landscapes corresponding to European aesthetic traditions, used as visual resources in medieval fantasy, are more prominently featured and host various races of characters that play central roles in the narrative. This visual contrast exemplifies Said’s argument about the relationship of domination between East and West. The Redguards’ environments, lacking monumental architecture and characterized by minimal vegetation, align with Said’s descriptions of “loss, void, and disaster,” reinforcing the perceived disparity between Eastern and Western spaces.

The Nords, a human race characterized by stereotypical elements of Viking culture, are situated in a mountainous region with cities marked by distinct and well-defined architecture. Unlike the stylistic pastiche seen in the Khajiit’s architecture, the constructions in Nord territories are explicitly modelled on medieval architectural ideals. The Elder Scrolls V: Skyrim (2011), which is set primarily in this region, portrays the Nords as conquerors, emphasizing their brutality, explorative nature, and capacity for invasion. The game also underscores the nationalist ethos of the Nords, who are depicted as the rightful heirs and true rulers of Skyrim, and describes them as “children of snow,” imbuing them with an almost divine status.

Romantic models

The High Elves, or Altmer, inhabit the Summerset Isles, a region characterized by grand cities and architectural structures inspired by European Gothic Revival styles. As the primary race credited with the cultural development of Tamriel, they are positioned at the center of civilization in the game’s lore. The urban landscapes of the Summerset Isles evoke a romanticized vision of Western agrarian life, emphasizing ideals of simplicity, harmony with nature, environmental stewardship, and sustainable living. The game attributes much of the craftsmanship, art, and scientific knowledge found throughout Tamriel to Altmer tradition, reflecting their role as the driving force behind the political and cultural alliance of the High Elves.

The Elder Scrolls, as a multimedia RPG production, incorporates a literary framework typical of epic fantasy, drawing inspiration from recognizable Romantic models. The Industrial Revolution established a distinct dichotomy between rural and urban spaces, with rural areas gaining ideological prominence and becoming the idealized focus of Romantic landscape art. Theorists like John Ruskin and Viollet-le-Duc championed Gothic architecture as a distinctly European architectural language, aligned with the patriotic ideals characteristic of nineteenth-century nationalist and regionalist thought. This idealization of European national identities, coupled with the underdeveloped gender policies of the Enlightenment and the operations of colonial machinery, positioned landscape as a tool for transmitting content that ultimately served as ideological propaganda in defence of bourgeois interests.

The themes are clear: the sublime, the picturesque, the ruins, medieval nostalgia, and nature. These elements shape and define Romantic landscape painting, as they address concerns central to the narratives of fantasy literature. The movement to revalorize Gothic architecture led to the conceptualization of historic buildings as symbols of an idealized past, which, in turn, fostered a sense of national unity.

Industrial context

In the games The Elder Scrolls Online and The Elder Scrolls III, there is a place on the map known as Clockwork City, where the game’s timeline seems to diverge from the rest of the narrative. This secretive and difficult-to-access city is located within a small metal sphere hidden somewhere in Mournhold, a city in the Morrowind region, and requires the character to shrink in order to enter. The architecture of Clockwork City is particularly noteworthy, as it features a distinct urban environment unlike any other in Tamriel, drawing inspiration from steampunk aesthetics and industrialized contexts.

This city is exclusively populated by the so-called “Fabricants”, hybrid creatures of mechanical and organic components that do not belong to any of the main races, are native to this city and do not have a presence in any other region. The creation of this city is no coincidence. In the middle of the 19th century, with an already consolidated industrial revolution, the radical exponential and uncontrolled growth of cities generated massified neighbourhoods that resulted in precarious living conditions for the working class and a conceptual change in the representation of the landscape image.

We find narrative similarities to Clockwork City in other regions populated by the main races of the game. These conceptual changes that historically arose from artists and thinkers contributed to the literary substratum of the streams of thought such as British empiric philosophy, which already in the 18th century defended the value of the picturesque and the subjective. The consequences of the picturesque genre, especially in the English context, had a direct connection with the beginnings of the tourist routes that the bourgeoisie who lived in cities frequented, visiting rural places and spaces such as private villas, medieval ruins, houses, forests, neo-Gothic buildings, castles, etc. It is imperative to point out how Clockwork City’s design operates in these clear city-looking industrial aesthetics, and how its discursive treatment in the game relegates it to a residual and hostile environment, the same way the bourgeoisie depicted cities as dirty spaces destined for the working class to inhabit. 

To conclude 

These are just some of the examples in which The Elder Scrolls, among many other videogame productions belonging to the genre of RPGs and specifically high-fantasy, enable discursive decoding tools through scenography elements in which historical and ideological narratives are embedded under the pixels of our screens. 

In reviewing the amended contexts we can see how The Elder Scrolls is imbued with contemporary vestiges of a specific historical visual culture. In it, Western cosmovisions of the past are explicit and intertwined, consequently expressed in the representations of identities, landscapes and architectures of the game. 

It is not surprising that, even in fictional popular productions, where fantasy and imagination are the core for the creation of otherworldly possibilities, there isn’t even a break with the dominant ideological structures from the past and the present, as art is, and will always be, a product from it’s political, historical and social context. 

This article was originally published in Catalan in Ab Origine Magazine, and has been translated with minor changes by the author.

LETsDOK 2024

Documentary film festival 2024

The national documentary film festival LETsDOK 2024 is already underway in Nordrhein-Westfalen, Hamburg, Niedersachsen, and Thüringen. In Berlin, the first film will be shown on Saturday, 14th September. This is the fifth year in which the festival has taken place.

LETsDOK 2024 stands in the tradition of equal rights and democracy. Real voices, true stories, lives that are lived — that’s what you can expect at this year’s documentary film festival. Experience emotional high points and deep-reaching narratives that inspire and touch. DIVERSE TOGETHER! Be there and let yourself be carried away by the authentic stories.

LETsDOK 2024 will be showing over 300 documentary films in different cinemas throughout Germany, including in Berlin. Unlike feature films, documentaries offer an unadulterated insight into reality and tell authentic stories from people, who embody courage, determination, and passion. These films show the diversity of human life and inspire you to look beyond your own horizon.

The diversity of films, subjects and perspectives is reflected in the wealth of offers by local initiatives. National coordinator Petra Hoffmann said: “With our choice of content, this year we are once more putting a clear focus on the subjects of the promotion of democracy, diversity, and against antisemitism and racism.”

Together with many other organisations and partners, LETsDOK2024 brings documentary films to villages, gardens, churches, synagogues, stations, mills, barns, monasteries, closed down shops, and even to a circus tent – places where cinema original came from, and to places where it “hurts”.

Experience the art of documentary films in unique locations and let yourself be touched by their authenticity and depths. Follow us on instagram and facebook, so you do not miss any event or venue. LETsDOK’s non-profit organisation docfilm42 aims at making independent documentary films more visible.

News from Berlin and Germany, 11th September 2024

Weekly news round-up from Berlin and Germany

NEWS FROM BERLIN

Pankow’s fight against right-wing spaces

Around 100 people gathered on Fröbelstraße in Prenzlauer Berg before the start of the Pankow district council meeting last Wednesday. The issue: supporters of the militant neo-Nazi party Der Dritte Weg and its youth organisation, the National Revolutionary Youth (NRJ), have been meeting regularly at the Rennbahnstraße sports complex in the Weißensee district. The demonstrators demanded that the district terminate the usage contract immediately, which caused broad discussions among the present politicians. Among them, Denise Bittner (CDU) condemned the “muscular ammunitioning” of the neo-Nazis in public spaces, but emphasised the absolute necessity of a legal basis for the contract’s termination. Source: taz

Protest at Lieferando in Berlin: “I demand respect”

Last Friday, many Lieferando’s workers went to a branch of the Burgermeister fast food chain in Eberswalder Straße, where a courier had allegedly been attacked by employees and ended up in hospital several weeks prior. There were signs reading “No tolerance for violence” and “I demand respect.” Burgermeister denied this account to several media outlets; the police confirmed the incident to newspaper Tagesspiegel. However, the course of events is still being investigated, as both sides have filed charges of assault. The Lieferando Workers Collective (LWC) and the protesters believe Lieferando has a duty to better protect its employees from violence. Source: nd

NEWS FROM GERMANY

More than 1,000 people demonstrate against the defence industry

More than 1,000 people marched through Kiel for the final rally of the protest camp against war and militarisation. The camp and the demonstration were initiated by the “Disarm Rheinmetall” alliance. According to police, the march had to be stopped repeatedly as demonstrators displayed prohibited symbols, set off pyrotechnics or threw buckets of paint. Five people were provisionally arrested. “There were repeated arbitrary police violence at the demonstration and indiscriminate arrests,” wrote the “Disarm Rheinmetall” alliance. The ThyssenKrupp Marine Systems (TKMS), The German Armed Forces and the naval base command in Kiel also stated that they would remain vigilant and monitor the overall situation. Source: ndr

Many in Germany are considering moving away due to the rise of the AfD

Many people with a migration background in Germany are considering moving away from their federal state – or even emigrating – due to the political rise of the AfD. This is the conclusion of a study conducted by the German Centre for Integration and Migration Research (DeZIM). According to the survey, almost one in four people with a migration background are at least hypothetically considering leaving Germany. Besides that, more than a third (33.8%) of respondents with a migrant background think of moving to another federal state if the AfD is in government in their own. Source: zeit

Shots fired at the Israeli consulate in Munich

A large-scale police operation startled the Bavarian capital last Thursday. A man fired several shots in the centre of Munich, where the Israeli Consulate General and Nazi Documentation Centre are located. Police returned fire and killed the attacker. According to taz, the shooter was an 18-year-old Austrian, Emra I., who had recently been categorised by Austrian authorities as an extremist. Eyewitnesses and the police reported that the man initially fired several shots using an older bolt-action rifle with a bayonet, which could be seen on videos circulating on social media channels. The police reported there are no other suspects. Source: taz

VW CEO wants a “hit car”

The causes of the crisis at Volkswagen (VW) are still unclear. The VW Group CEO explained that he believes the reasons are fewer vehicles being bought in Europe and new competitors from Asia pushing their way into the market. Nevertheless, it seems the situation for the brand is “alarming.” The costs for the proposed solution, a “hit car,” are once again unevenly distributed: since last week, there has been talk of job cuts and plant closures. Janine Wissler, leader of Die Linke, reminded in this case about the 4.5 billion euros that VW distributed to its shareholders in the last financial year. Source: jW

New labour record despite slump

People in employment worked a total of 14.7 billion hours from April to June – a new record. “Never before has so much work been done in Germany – in the middle of an economic downturn,” said researcher Enzo Weber from the Institute for Employment Research (IAB). The much-vaunted employment record was possible despite the ageing of society because of the higher participation of women and migrants in the labor market. Employment subject to social insurance contributions has risen in the service sector, particularly in areas such as education, care for the elderly, and healthcare. In the construction sector and in industry, on the other hand, employment declined. Source: nd

‘We’re in over our heads’

Around 300,000 asylum applications are being processed across Germany at the moment. CSU leader Markus Söder is calling for a significant reduction in their number in Germany. Migration is “over our heads,” he said, suggesting turning people back at the border as an instrument to reduce migration. The CSU leader also recommends a long-term change to asylum law. “We need to turn a subjective right into a fundamental institutional right.” FDP leader Christian Linder believes it necessary to control the number of asylum applications, but he is convinced that the country should also remain diverse and tolerant. Source: tagesschau

Price increases in food products

Consumers must dig much deeper into their pockets than a few years ago when shopping. Some products have become particularly expensive. There are numerous reasons for this, such as the effects of the coronavirus pandemic, the war in Ukraine, climate change and rising costs of raw materials, energy and labour. Foods for which mystery shoppers have registered the biggest price increases since July 2020 are olive oil (+112.6%), sugar (+83.3%), and wheat flour (+61.5%), to name a few. According to the Federal Statistical Office, only one food item is 2% cheaper today than it was then: citrus fruits. Source: berliner zeitung