English Theatre Berlin | International Performing Arts Center (ETB | IPAC) is the German capital’s only producing and presenting organization in the Hauptstadt expressly dedicated to English, the 21st century lingua franca, as the working language, as a bridge between cultures, countries and traditions.
We collaborate with both English native speakers and non-native speakers in order to achieve a continuous exchange between artists of different backgrounds who mutually inspire and influence each other to create something new together.
Learning Feminism From Rwanda by Flinn Works January 19, 20, 21 at 8pm
Women in Europe are still fighting for what Rwanda achieved long ago: 62% of their members of parliament are female. In Germany, the figure is just 34%. This East African country declared gender parity the basis of its politics in 1994. Meanwhile in Germany, this kind of parity is still a long way off despite gender equality being enshrined in common law since 1949.
A Rwandan and a German performer discuss numbers and realities from both countries, using a drum as the central symbol of power. They take a peek behind the curtain: if women are empowered, how do men deal with losing their power and what are the lines of confrontation in the home? How slowly or quickly do quotas change a culture and the mindset of a nation?
With speeches, statistics, songs and protest choreography, Learning Feminism from Rwanda follows the trail of Rwandan fast-track feminism from shiny statistics and glass ceilings to hearth and home. Let’s see how much Europe can learn from Rwanda?
Heartburn by Cosmino Productions January 26, 27, 28 at 8pm
Two women face the truth of the dissolution of the European egalitarian dream.
Everywhere they look things are not equal; in the taxi at the end of the night, on the bench in the middle of a village, in the congregation, in the boardroom, in the home. They tell stories of abortion, sing about violence and dance about menopause. They remember the lies they were told as children and question the hope that things might be different for future generations.
The performance uses puppetry, comedy, song, text and movement to create a hybrid, humorous and powerful perspective on being a woman in Europe today.
