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Review – Owen White, The Blood of the Colony: Wine and the Rise and Fall of French Algeria

What should they know of wine, who only wine know? The role of wine in Algerian anticolonialism


12/02/2022

The French colonial project in Algeria (1830-1962) simply reinstated feudalism knowing that the nefarious institution was abolished in France in consequence of the French revolution of 1789. Frances’ prized colony, Algeria, however, provided a second life for feudalism. Hence Owen White’s The Blood of the Colony, which comes at an appropriate time for Algerians, just two years since the popular uprising of February 2019, otherwise known as le Hirak.

Besides being a story of dispossession together with the rise and fall of certain colonial elites, White’s book is a narrative on how postcolonial Algeria was set long before its chronological birth on the highway for dependence. The Blood of the Colony facilitates the reader’s thinking that a cash crop-based economy, much like rentier ones, is a recipe for disaster. But what historians generally fail to seize is how the evil from dependency on one product is not the product itself, but the imposition of the wage labor system where populations are forced to work for this economy or else die.

The book proceeds in the way a song escalates the melody in a slow but eye-opening crescendo. Tracing the story of the wine in the prized French colony of Algeria does not restrict itself into a story of wine only. That reading will not only be flat and unidimensional, but simply erroneous. Instead, and through the rise and fall of wine, readers may capture how primitive accumulation functions.

Substitute oil with wine and the reader is back to square one, White’s colonial account of dispossession, traced through wine.

In other words, the integration of Algeria into the world economy, a policy followed to this day, does not serve the population of Algeria. It facilitates the confiscation of local wealth: its pumping from periphery to the center, that is, from the distant rural districts of the Algerian countryside to Wall Street. That story is brilliantly summarized in the words of the leader of the last armed rebellion of what was back then known indigenous Algerians, Yacoub ben El-Hadj Mohamed, on the occasion of his trial in 1902 and which White quotes. The land appropriations were meant not only as spectacles of brute force. Colonial policies of land appropriation along with the closure of common lands and forests have been capitalistic measures to force Algerians for wage labor.

Karl Marx (1818-1883) specifies that without wage labor capital simply asphyxiates and eventually dies. Indeed, this policy of land appropriation, however anti-emancipatory, have never been reversed, even after regaining political independence in 1962. Shutting off means of independent subsistence is what colonial and postcolonial planners have always excelled in, and executed to the letter. The proletarinization of the people has been the underlying ideology of both colonial and postcolonial Algeria.

The apparent difference, if any, remains an act of spectacle making or what the French brilliantly captures through the expression: faire de cinéma, that is, never of great significance or consequence. How else to explain the country’s endemic dependence on exporting hydrocarbons, and only hydrocarbons, well after sixty years since independence? Substitute oil with wine and the reader is back to square one, White’s colonial account of dispossession, traced through wine.

In addition to an introduction and conclusion, White’s volume makes its argument in seven chapters. Chapter One: “Roots, Antiquity to 1870” discusses how colonists were encouraged less to compete and more to complement the metropole. The early colonial planners sought to diversify farming habits by encouraging the cultivation of cereals. The hunt for profit made this state policy out of touch with reality. The colonial pioneers understood the complementing of the metropole as the strangulation of the colony.

Phylloxera and the Making of the Algerian Vineyard 1870 to 1907” brings to the fore how phylloxera—a disease—that spread in the Midi region in the metropole from the 1850s to 1870s broke the pact between colonial policy makers and large farmers. The disease or the shortage of wine supply it caused made a niche—in fact, not a small market—for Euro-Algerian cultivators. Understandably, the vintners become extremely powerful and instructing them to complement the metropole becomes ever more challenging.

Companies and Cooperatives, Work and Wealth 1907 to 1930” testifies that even when aware that reversing the economic wheel in favor of complementarity cannot be executed, the colonial planners sought to organize the market in the hope of minimizing the nefarious effects from disorganization. What this policy in the end achieved was to help filter big agro-capitalist, vintners, from small-scale farmers.

Algeria and the Midi: the 1930s (I)” illustrates that disputes over access to the French wine market between Euro-Algerian and Metropolitan agricultural capitalists persisted. Through a set of restrictive laws which both knew how to abuse and bypass, the two agro-capitalists resolved problems by enacting policies that shored up their interests and disenfranchised the small wine producers.

Labor Questions: the 1930s (II)” elaborates on how it was only when Algerian indigenous wage laborers’ standards of living entered the picture that the consensus between big wine makers in Algeria revealed its deficiencies. With the activism of members of the French communist party, wine producers started becoming victims of vandalism: large scale uprooting of vine trees at night. In this context, while small owners sought to fix the situation and reform the law in favor of a pay rise, large owners remained manipulative and thought that large-scale mechanization was the way out both to avoid the pay rise and drive the small producers out of the market for good.

Wine in the Wars, 1940 to 1962” shows that WWII brought a standstill to rivalries over labor. Everyone stood behind the metropole in distress. But the end of the war witnessed new challenges in the wine market: heavy mechanization and a drive towards quality wines. Sensing France’s diminishing commitment for maintaining its empire, we read that it is during this period, exactly before War of Independence in 1954 and after its commencement where the big agro-capitalists started relocating to France, Switzerland and even Canada.

Pulling up Roots since 1962” illustrates how the nascent nation-state struggled to cut its umbilical cord with the overall wine culture and industry. The book closes with how the epic story of wine in Algeria ends with a nostalgia. The author follows the fortunes of a chemical engineer in one of the last-functioning colonial winepresses near Oran.

In “Epilogue: The Geometry of Colonization”, White sees the fall of the wine cultivation and industry as ushering in not only the end of colonization as such but its geometry, that is, the ways it claims a second life for the same mode of production bent on fetishizing human beings. For Algeria eventually made it without wine but only through oil, another ‘cash crop’, possibly worse, since oil needs far fewer hands and logistics to handle but itself has far more market value.

Perhaps, White’s fixation on wine makes it harder for readers to trace how oil, ever since independence, has been an existential deterrent and an economic impossibility for whatever project spearheading a truly egalitarian polity in Algeria.

The sources of The Blood of the Colony boasts of audits from banks, French ports entry records, court proceedings, administrative archives. The book comes across as a labor of exceptional dedication and passion. Its reading flies, making it simultaneously an insightful but arduous undertaking. Myself coming from Médéa (south of the Algiers region), large property owners’ names such as the Archbishop Charles Lavigeri, Michel-Louis Pelegri, Saint Germain and Albert Malleval are not uncommon and dominate postcolonial memory.

These agro-capitalists or the powerful vintners literally sucked the blood of my ancestors; their form of primitive accumulation made chattel slavery a blissful experience in comparison. White recalls how Russian convicts serving in Euro-Algerian vineyards around the 1920s observed that wine cultivator’s treatment of indigenous Algerians was worse than “walking cattle”. Still, some of these cultivators were keen enough not to remain stuck for ever in the curse, otherwise known as the wine industry. Soon enough they learnt to adapt and invest elsewhere, and contrary to received wisdom, Algeria’s political independence simply vindicated their plans to go global.

But instead of situating the rise and fall of wine as a class struggle, White goes against his own method and does not crystalize that class dimension. Instead, the uprooting of the vineyards after independence read for him as a nationalist policy spearheaded by the FLN. Similarly, the labor troubles or conflicts he discusses in chapters five and six cannot be reduced into mere labor troubles.

Even if the scale of uprooting vineyards by FLN activists during the war of independence (1954-1962) was limited, its symbolism however specifies that these activists had seized on historical necessity of reversing dispossession through the class dimension, never through identity based politics, be it religious or linguistic. To overlook this class dimension is to perpetuate the conditions of possibility for inequality and dispossession. Unfortunately, this is what happened as the FLN become the shadow of what it used to stand for at its inception. As soon as negotiations for independence became serious, the FLN peeled the insurrectionary rhetoric of the class struggle and wore the nationalistic one.

…the motoring principle that facilitated this equation is wage labor, that is, the proletarinization of large swathes of the Algerian population during the conquest period (1830 to 1880s).

Perhaps, White’s fixation on wine makes it harder for readers to trace how oil, ever since independence, has been an existential deterrent and an economic impossibility for whatever project spearheading a truly egalitarian polity in Algeria. Reading wine, oil, gold or les terres rares (there are estimates that Algeria boasts of solid reserves in the latter) less phenomenologically exacerbates the alienation of the subaltern, their permanent status outside history.

It is true that vine cultures had been behind so much misery, and that is why the duality of rise and fall is never adequate as an analytic matrix (as the author himself testifies in the introduction). Still, the motoring principle that facilitated this equation is wage labor, that is, the proletarinization of large swathes of the Algerian population during the conquest period (1830 to 1880s). Disenfranchised Algerians could not survive without selling their labor, a process which oil and gas has only intensified, never reversed. Hence, the story of wine or oil cannot be a story of wine or oil only.

The Blood of the Colony helps interested readers and today’s democracy activists to see how Algeria was set on the political economy designed to keep it dependent on a single cash product which in the late nineteenth century and the beginning of the twentieth was wine, and which soon after independence become oil. More than serving the root for de-growth and underdevelopment, dependency on one export simply fetishizes man as laborer.

White, Owen. 2021.

The Blood of the Colony: Wine and the Rise and Fall of French Algeria.

Harvard University Press. HARDCOVER: $39.95 • £31.95 • €36.00; ISBN 9780674248441; pp. 336.

Reviewer: Fouad Mami,

Department of English

Université Ahmed Draia, Adrar (Algeria)

News from Berlin and Germany, 10th February 2022

Weekly news roundup from Berlin and Germany


10/02/2022

NEWS FROM BERLIN

New route on the Marggraf Bridge will probably not be built after all

The Left Party (“die Linke”) and the Berlin Passenger Association Igeb called for a demonstration on the Marggraff Bridge between Baumschulenweg and Schöneweide. Their aim is to ensure trams will still be able to cross the Spree in the future, given that this has become extremely unlikely after a serious planning error became known this week. The culprit is a group of public authorities, who once again torpedoed the expansion of public transport and could prevent the area in south-east Berlin from being better connected in the future. The project, valued at 175 million euros, is intended to significantly improve local transport in the area. Source: Tagesspiegel.

A100 blockades by activists lead to long traffic jams

Several blockades by environmentalists of exits of the Berlin city motorway in Tempelhof led to long traffic jams. In the meantime, the Britz motorway tunnel in Neukölln was also closed. The police temporarily arrested 13 demonstrators or took their personal details for charges. Protesters from the “Essen Retten – Leben Retten” initiative are demanding an end to food waste. They blocked the exits Tempelhofer Damm, Alboinstraße, and Sachsendamm during rush hour on Tuesday morning. Videos on the internet showed enraged and sometimes aggressive drivers trying to pull or drag sitting or lying blockaders off the road. Source: rbb.

 

NEWS FROM GERMANY

Instead of arms deliveries to Ukraine, Germany will send field hospital

Germany’s defense minister stated that sending arms to Ukraine would not be helpful in defusing the current situation as fears of a Russian invasion continue to mount. “We are standing on Kyiv’s side. We have to do everything to de-escalate. Currently, arms deliveries would not be helpful in this respect; there is agreement on this in the German government,” said Minister of Defense Christine Lambrecht. In addition, German Chancellor Olaf Scholz told a news conference that in recent years, “Germany has not supported the export of lethal weapons.” Though arms deliveries are off the table, Germany does plan to send a field medical facility to Ukraine in February, Lambrecht said. Source: DW.

 

Corona deniers, Westernhagen and his song “Freiheit”

In 1990, Marius Müller-Westernhagen’s rock ballad “Freiheit’ became an anthem of liberation from the GDR dictatorship and German reunification. Most recently, however, opponents of vaccination, “lateral thinkers” and Corona deniers played the cult song during their protest marches against the Corona measures. The singer himself did not want to comment on this for a long time, as reported by “Deutschlandfunk”. On Friday evening, however, the 73-year-old made a clear statement: on Instagram and Facebook, Westernhagen posted a photo showing him being vaccinated. The rock star added just one word: “Freedom”. Source: rnd.

Anti-fascism as an enemy

Last July, the Federal Minister of the Interior Nancy Faeser (SPD) wrote a guest article for the magazine Antifa of the Vereinigung der Verfolgten des Naziregimes – Bund der Antifaschistinnen und Antifaschisten (VVN-BdA). In it, the then party leader of the Hessian SPD declared, after threatening letters of an “NSU 2.0”, the party should not back down from this. Since the VVN is listed in the Bavarian report on the protection of the constitution as “influenced by left-wing extremists”, politicians (CDU/CSU and the AfD), and the Springer press, now accuse her of having published in an “anti-constitutional paper”. Source: jW.

Asylum after five years of uncertainty

It took five years, but now the Venezuelan Refugee Commission (Conare) has come to a positive decision about the asylum application of the German leftists Thomas Walter and Peter Krauth. The refugees, who fled Germany 27 years ago, now have an unlimited right to stay in Venezuela. For the fellow campaigner Bernd Heidbreder, the decision came too late: the 60-year-old died of cancer last May. They allegedly tried to blow up a deportation prison. After 23 years in illegality, Walter and Krauth can now get in touch with their relatives again. Source: nd.

Baerbock expresses dismay at “war in the middle of Europe”

Foreign Minister Annalena Baerbock visited the frontline between Ukrainian government troops and the Russian-backed separatists to find out about the situation in the conflict region of Donbass. She returned from this visit with “very depressing feelings,” saying people there have lost everything from one day to the next. Once again, Baerbock spoke out in favour of a diplomatic solution to the conflict. Baerbock threatened Moscow at the same time: “Any further aggression would have massive consequences for the Russian side.” Baerbock met representatives of the Ukrainian government in Kiev on Monday, again underlining Germany’s support for the country. Source: Tagesspiegel.

“In Germany, we really have an issue with calling a Nazi a Nazi” – Interview with Antifascist Music Alliance

Hanna and Char from AMA speak about keeping the Berlin Electronic music scene Nazi-free

Hello, thank you for talking to us. Can we start by you introducing yourselves? Who are you and what is your connection to the Antifascist Music Alliance?

Hanna: My name is Hanna. Before the pandemic, I used to organize parties – I’m a DJ myself. I am founding member of Berlin Collective Action, which is a social support network for nightlife workers in the pandemic.

My connection with Antifascist Music Alliance is that five of us started it. We’re all friends connected through axmed, who is also a co-founder, and we are connected through music and nightlife mainly. We felt the need to align together to start this movement.

Char: I’m Char, I’m also one of the co-founders of the Antifascist Music Alliance. I’ve been involved in the electronic music scene for over a decade as a dancer, I’ve thrown parties and I DJ now and then.

We’ll go onto the music and dance side later, but first let’s look at the anti-fascist side. We’re in Berlin. There’s a lot of anti-fascist activist organizations here. Why did you see the need to create a new one?

Char: We formed our group because we wanted to take action on a particular fascistsympathizing artist. Vatican Shadow, a.k.a. Dominick Fernow, who has been getting a lot of support from our scene’s press, namely Resident Advisor and Pitchfork, and from the booking agency of Berghain, Ostgut Booking.

After his fascist ties came to light, nobody really picked it up, and we asked ourselves whether we wanted to just act on this particular artist or whether we wanted to keep it going and address fascism in our scene more generally. It just felt urgent for us to address fascism within music in general. So, we named our group the Antifascist Music Alliance.

Maybe you could say a couple more words about Vatican Shadow himself. Who is he? What’s he done? Why is he dangerous?

Char: For context, he is a big artist within electronic music. He has received a lot of positive press in our major outlets, Pitchfork and Resident Advisor. He had a year-long residency at Berghain and he was booked by their booking agency. He has a release on their label, so they’ve been funnelling money to him for years.

Last year, writer and producer Jean-Hugues Kabuiku pointed out in a substack article that Vatican Shadow has been supporting National Socialist musicians and bands for a long time. There’s a Pitchfork feature on him where he seems to have chosen the cover picture. In the picture he’s beside Mikko Aspa, who is a collaborator who has a neo-fascist music and literature store in Finland.

Vatican Shadow, also has a label called Hospital Productions, and on it he’s released music by a National Socialist black metal band called Akitsa, who are from Montreal, and he has repeatedly used his platform and fame to support fascist artists. If you want to read more about this or follow links to journalism about him, you can go to our website.

Berghain has got an image, at least, of being part of the alternative Berlin culture scene. How did they justify promoting fascists?

Hanna: That is a good question. In the end, one thing that Berghain has been showing since I’ve known the place is that they are not political. They have the position to not take political stances. We have seen this when the club scene in Berlin tried to disrupt gatherings with movements like AfD wegbassen, and Berghain continuously dropped out of positioning itself politically.

The justification comes from a place of not wanting to engage into politics and trying to create their own bubble where they can do what they want. So, their politics are a little bit unprogressive.

Wouldn’t you say that platforming a fascist artist is a political stance?

Hanna: Absolutely. Being silent is also a political stance for sure.

Char: We emailed them in the Summer of 2021, and they quietly removed Vatican Shadow from their booking on their website. But they didn’t respond to us, and they haven’t actually done any of the asks in our open letter.

This feeds into the next question about how the various outlet like Pitchfork have responded. It’s now six months since you contacted them and asked them to do something. What have they done? Is it enough?

Char: Literally none of our asks have been done, so Pitchfork, Resident Advisor and Ostgut Booking have not taken any action at all. Our asks are simple – we ask them to place an addendum and a link to articles critically addressing the fascist ties on their articles and reviews about him. We also ask that they donate to organizations fighting antisemitism and extremism, publishing the amount and which organization.

We asked them to make a statement about how they plan to prevent this from happening again. And we also ask for the press outlets, Pitchfork and Resident Advisor, to publish a call to ask other publications to place disclaimers on their existing coverage of Vatican Shadow. We think that these are not too much to ask, but nothing has taken place yet.

You said earlier that it started with Vatican Shadow, but now you want to cover other artists. Who are the other artists we should be worried about and what are you doing about them?

Char: There are fascist artists on his label, like Akitsa, which is a Montreal band, and there are fascist music genres and festivals. There are fascist music genres like National Socialist Black Metal (NSBM) or fashwave – when Richard Spencer was leading white supremacists at a National Policy Institute meeting in Washington in 2016, for example, they were playing fashwave music.

You can watch out for artists names that sound fascist, like Storm Cloak, Cyber Nazi. I think having a knowledge of fascist history can help us recognize when artists are hinting at or openly supporting the far right.

You just mentioned Canadian bands. This is obviously something which is not just limited to Berlin. Do you know of other people in other cities or other countries who doing the same thing as you?

Char: We got quite a lot of support on our Open Letter from outside Germany. Vatican Shadow himself is American, and we had a lot of support from artists and organizations over there, like Umfang, Love Injection, Voluminous Arts, Andrew Weathers. We also got support from lots of UK artists – Joe, who’s a well-known electronic musician, James Holden, Wanda Group.

We also had quite a lot of support from inside Germany, like the East Bloc Anti-Fascist Sound Alliance, the Urbane Partei signed, as did Room 4 Resistance. Theleftberlin had us as their Campaign Of The Week, which we appreciate. So, in terms of support on the Open Letter that we put out, we have received a lot of support from many places.

You’ve now been going for over six months. Do you think that you’ve been successful? At one level, the people up there are ignoring you. On the other hand, you are generating some support from below. How would you assess how it’s gone so far?

Char: In the sense that none of the organizations have carried out any of our asks, this has not been very successful. But in terms of getting the word out and making sure people know that it’s not OK to support fascist artists, that it’s not edgy or interesting, I think we’ve been quite successful.

Ostgut dropping Vatican Shadow from their booking lists is also something, although they never responded to us, so we don’t know if this was because of our email or not. I think we’ve helped make sure that Vatican Shadow will get a lot less support from mainstream platforms in electronic music in the future.

Do you see this as something that’s specific to electronic music or are there other genres which have got their own problems?

Hanna: Metal scenes have their far right problem or Nazi problem and so does the noise scene. These are at least the scenes which I am aware of. Unfortunately, fascists are everywhere and we are actually too unaware of it. Specifically in Germany, we really have an issue with calling a Nazi a Nazi and to be loud about it. It’s been a historical issue since the “Entnazifizierung” which never took place successfully.

Even though we were successful with the Antifascist Music Alliance as of now, I feel it’s hard to make noise around this topic. Berghain and Pitchfork and Resident Advisor are career makers. They literally decide who is going to be successful next month and who can live off being an artist.

Specifically right now in the times of half-lockdown and reduced events and industry happenings, it’s tough to create noise around those giants who are the money makers for so many. And it was really eye opening to see how much power they actually have.

Char: It also seems like other platforms don’t want to criticize them.

A double question. First, how can fans of electronic music get involved in what you’re doing? Second, I’m sure there are, say, metal fans out there who have no idea who Vatican Shadow is and who would find it hard to be part of your campaign, but would like to campaign against people who maybe they have more knowledge of than you do. So, what could electronic music fans do? But also, what can other music fans do?

Char: Of course, you can sign our Open Letter, and ask others in your network to sign. Posting about the letter also helps, and just keep an eye out for fascist musicians. If you notice fascist activity in your scene, then you can reach out to the platforms that are supporting them. Posting about stuff also helps. You could also reach out to us if you want to strategize together.

Have you plans for what happens next?

Char: We are making stickers!

Stickers are always important

Hanna: I think our main goal should be to gain more reach with influential people within the music scene. It’s hard for small artists to sign something that could be harmful for the lift off of their career. But what I would love to see is the ones who are already up there, the ones who are huge, the ones who have been posting for two years now after 2020, specifically about being allies and standing against any form of discrimination against marginalized identities.

We will try to reach out to more artists who are the influencers and who are the big ones who actually can make a change and also put pressure on them. And what I’m wondering is where are the agencies, where are the ones who are actually doing the bookings and how can we activate them as well?

It’s a struggle for them, as I said. This powerful trio is making careers and breaking careers, but there has been a lack of motivation for such a clear topic that is not even calling for cancelling him. Our demands are just, please inform people who read your articles that this person has fascist ties and because you made money from them, please donate to an anti-fascist organization.

We’re not talking about ending careers. We’re talking about just putting out the facts. And that is something that I think is not too much to ask.

Initiative zur Aufklärung des Mordes an Burak (Initiative for information about Burak’s murder)

We will not be silent until Burat’s murder is explained.

Our initiative understands itself as a platform where Burak’s family and friends, anti-racist groups, political artists, activists from various collectives in Neukölln, people from the neighbourhood, youth workers, victim counsellors, and researchers into Neo-Nazis can come together at one table, to speak with each other, listen to each other and become active.

The starting point: 5th April 2012. Apparently an assassination in broad daylight, in the middle of Neukölln. A perpetrator who can can go around with a weapon and randomly choose a group of young people, where Burak, Jamal and Alex met with two more friends. Five shots, silence, no-one can understand why. We also have no explanation – but we have many questions. Above all we ask: was racism the motive again?

This murder in broad daylight is seen as a great threat, and not just by family, friends and neighbours. The murderer walks around freely and can carry a weapon. No-one knows what he will do next. Shock and helplessness spread. Questions as to how the police would react if the group did not consist of so-called “migrant youth”, Would a state of emergency have been immediately called? Would the media have called for stricter gun laws? And would the State have shown its toughness and visibility? We don’t know, but we can make assumptions.

Independently of the actual motivation of the unknown perpetrator, this attempted murder of a group of young people is a symbol. A few months after the NSU became public knowledge, the parallels are more than clear. Whether or not the murderer was an organised Neo-Nazi, a normal racist of a “troubled individual”, as the police like to tell everyone, the attempted murder has brought a broad insecurity onto the streets – above all among young people. Because the perpetrator is still free to walk around. And the police and the authorities are giving no information.

The starting point of our initiative was a self-reflexion of anti-fascist and anti-racist politics: after the exposure of the NSU murders, it has become obvious that strategies regarding solidarity and our relation to state authorities must change. This requires us to overcome the racist splits inside the Left and in the neighbourhood. After the NSU murders we have learned: all that is needed is that the majority remains silent and ignorant which the minority is threatened and attacked. This strategy cannot continue.

We live in Neukölln, a district in which Neo-Nazis have carried out many arson attacks against youth centres and homes of migrant families in recent years. Knowledge of the growing list of violence by Neo-Nazis, who do not shrink from murdering, the existence of the NSU and all the unanswered questions around it, creates a scenario in which we see that murder attempt on Burak and his friends as a threat to everyone who do not fit into the racist world-view of the Neo-Nazis. Whether it is the colour of our skin, our language, our sexuality, our friends, our politics or whatever.

Although we do not know who the perpetrator was, we fear that until we see contradictory evidence, this was a racist murder. In a social climate in Germany, which shows with alarming regularity that the NSU murders were just a professionalisation of racist murders, which are propagandistically staged and emulated. This is why we have formed this initiative. We will not be silent until the murder is explained!

It must also be said: building a joint platform is an exhausting and intensive task. There are reservations, and reducing them takes many discussions. We must set aside many assumptions and develop our interest in knowing each other. We must withstand the pressure from state authorities who for various reasons do not want to see such a platform, and build mutual trust. Every step forward we take together helps us know each other better.

There are different opinions of how and in which form Burak’s murder must be remembered – these must not contradict each other, but can develop into part of a joint strength, through communication and respect for each other – above all for the survivors. And the common question, which brings us together in raising a strong voice:

Who killed Burat?

We call for solidarity with Burak’s family and friends. Let us remember Burak together. We are not prepared to accept that Burat’s murder remains unexplained. We will not return to normal life, but remember this murder and demand its explanation. Today and in the future.

More information about the Initiative here.

Joint Declaration on VOTING RIGHTS FOR ALL

Open Letter (and video) from Aktionsbündnis Antira, Deutsche Wohnen & Co enteignen, Nicht ohne uns 14 % and nearly 50 other organisations to the Berln Senat


09/02/2022

To the Berlin SENATE: WE TAKE YOU AT YOUR WORDS!
IMMEDIATELY start a FEDERAL COUNCIL INITIATIVE to introduce VOTING RIGHTS FOR ALL!

The right to vote for all is a minimum requirement for a democratic society. Exclusion from it cannot be justified by a lack of German citizenship.
Almost 10 million people in Germany are excluded from the voting rights both on the federal and and at the state level. This is undemocratic.
In Berlin, more than 700,000 Berliners over the age of 18 without a German passport were excluded from the elections to the Bundestag and the Abgehordetenhaus (House of Representatives) and from the referendum to expropriate Deutsche Wohnen und Co. in September 2021. This is more than 22% of all Berliners over 18 years old.
It is time that this democratic defitic is ended!

Now the Berlin coalition agreement of December 2021 states:

Punkt 10. Partizipation und Migration, S. 71

Die Koalition setzt sich im Bund dafür ein, die bundesrechtlichen Voraussetzungen zu schaffen, um ein aktives Wahlrecht auf Landes- und Bezirksebene auch für Menschen ohne deutsche Staatsangehörigkeit, die seit mindestens fünf Jahren in der Stadt leben, zu ermöglichen. Auch landesrechtliche Möglichkeiten werden geprüft.

(The coalition is working at the federal level to create the conditions under federal law to enable an active right to vote at the state and district level – also for people without German citizenship who have lived in the city for at least five years. Possibilities under state law are also being examined.)

Unfortunately, we do not have too much hope: the Berlin, the R2G government already provided for the same Bundesrat initiative in the 2016 coalition agreement. Nothing has happened so far. Now the new government must prove whether it is serious about its own promises!

Our demands on the Berlin Senate are:

  • The immediate initiation of steps to implement point 10 of the coalition agreement, for this:
  • The launch of a Bundesrat initiative to introduce voting rights at the federal level.
  • The establishment of a working group at the Berlin state level to examine and implement “possibilities under state law,” as promised in the coalition agreement.
  • Ensuring the active participation of representatives of those affected in the bodies to be formed, both at state and federal level

We understand the struggle for the right to vote for all to be part of our struggles against all kinds of racism, nationalism, capitalism, patriarchy, displacement, poverty. Without voting rights, people lack the possibility to stand up for their rights to democratical participation.

Referendums are an important means of democratical participation in Berlin. But here, people who do not have a German passport are excluded from democratical participation – even though they are directly affected by these decisions (from keeping the Tempelhofer Feld open to the expropriation of Deutsche Wohnen and Co.) Further referendums are planned in Berlin and it is important that the electoral law is changed quickly so that for future referendums really all people who live in Berlin can have a voice!
We appeal to the red-red-green state government: Whether referendum, House of Representatives or Bundestag – electoral law must apply to all! The new government must now do everything in its power to ensure this – anything else is undemocratic!

We expect that the Berlin government answers by 31 March, at the end of the first 100 days of government.

​​​​​​​ABA (Aktionsbündnis Antira)

DWE ( Deutsche Wohnen & Co enteignen)

Nicht ohne uns 14 %

You can see the original German version of this Open Letter at the Deutsche Wohnen & Co website. Sign the petition at Change.Org

Further signatories:

1- Allmende e.V. – Haus alternativer Migrationspolitik und Kultur

2- Anticapitalistas Deutschland

3- Antifascist Music Alliance

4- Berliner Bündnis gegen Rechts

5- Berlin Ireland Pro Choice Solidarity

6- Borderline-europe

7- CUP (Candidatura d’Unitat Popular, Katalonien) Berlin

8- DIDF

9- Die LINKE Berlin Landesarbeitsgemeinschaft Internationals

10- European Alternatives

11- GLADT

12- International Institute of Political Murder – IIPM e.V.

13- Interventionistische Linke Berlin

14-International Women’s Space

15- Korea Verband

16- Kub

17- Medibüro Berlin

18- MigraNetz Thüringen e.V.

19- Izquierda Unida Berlín

20- RomaTrial e.V.

21- Sea-Watch

22- Seebrücke berlin

23- Solidarity City Berlin

24- Staub zu Glitzer

25- Sudanesische Kommunistische Partei Deutschland

26- Ver.di Landesbezirksleiterin Berlin

27-Brandenburg und Bezirksgeschäftsführerin Berlin

28- Theater X

29- Trans* Sex Workers

30- ver.di Landesmigrationsausschuss Berlin-Brandenburg

31- Wrangelkiez United

32- Transformation Haus & Feld

33- Frauenkreise

34- Space2groW

35- Die Urbane. Eine HipHop Partei

36- Berliner Obdachlosenhilfe e.V.

37- Klimaneustart Berlin

38- KOP Kampagne für Opfer rassistischer Polizeigewalt

39- Demokratie in der Mitte

40- BIWOC* Rising – Intersectional Coworking & Social Club

41- Erklär mir mal

42- neue deutsche Organisationen – das postmigrantische netzwerk e.V.

43- Magazin of Color

44- Tadel verpflichtet! e.V.

45- Leave No one Behind

46- Volksentscheid Berlin autofrei